Thursday, July 29, 2010

Why Does Kenny G Insist on Putting Out New Albums?

Seriously, nothing against the guy, but I challenge any of you to listen to any two Kenny G albums and be able to tell them apart.  Truth be told, Kenny could take one of his old albums, such as G-Force or Silhouette, slap on a different cover, give it a new title, like Heart And Soul, and, chances are, none of us would be any the wiser.

While he is certainly a talented musician, I've got to think that even he has trouble telling his albums (much less his songs) apart by this point.  In all honesty, he could take a collection of Beatles songs and render them unrecognizable to even the most die-hard of Beatle-maniacs.

When a rep from Kenny G's label emailed me repeatedly a few weeks ago to see if I'd listened to the album, a part of me wanted to respond, "Have you listened to it?  How do you know that he didn't just give you one of his old albums to put out?"  A few days went by without a response, but then an answer finally appeared in my in-box.  "No, Marie, my secretary has every Kenny G album ever released and she's reasonably sure she's never heard this one before." 


Let's face it, instrumental music has a way of sounding the same after about two songs.  For me, a little saxophone has always been too much of a not-so-good thing.  In my opinion, many a great rock tune has been ruined by the insertion of an obligatory sax solo (I'm looking at you, dude in INXS who took way too many sax lessons).  Thus, the idea that there are actually over a dozen Kenny G studio albums in existence is incredible.  Even more incredible is the fact that Kenny G has ten, yes, TEN best-of compilations (two of them being live albums).

Seems Kenny G knows all too well that a little sax does indeed go a long, long way.

Having said that, somebody at Kenny's label with what can only be described as a wicked sense of humor sent me a promo copy of his latest CD, Heart And Soul.  My first thought, of course, was whether or not every single MOR artist in the world (you know, Mariah Carey, Michael Bolton, Jim Brickman, et al) has an album called Heart And Soul, but, oddly enough, none of the usual suspects do.  I was taken aback by that.  I mean, I personally thought that every new Michael Bolton album since he cut his hair has been called Heart And Soul.  Admit it, so did you.  That Bolton has never called even one of his albums Heart And Soul seems like a missed opportunity on his part.

As an aside, I must say that the best band name in the world at-present is "The Dead Kenny G's".  Those guys need to let me design a t-shirt for them.  I know, I'd buy one! :)

Wednesday, July 28, 2010

The Return Of Jimmy Eat World

Jimmy Eat World return with their first album in three years, Invented, due September 28th and produced by Mark Trombino (the man behind the knobs for Bleed American).

Also, the band has announced the first dates for the upcoming U.S Tour:

* 9/21 - Atlanta, GA / Center Stage
* 9/22 - Asheville, NC / The Orange Peel
* 9/24 - Sayreville, NJ / Starland Ballroom
* 9/25 - Virgin Mobile FreeFest Merriweather Post Pavilion
* 9/29 - Los Angeles, CA / The Wiltern (KROQ pre-sale tomorrow, Thurs 7/29, password KROQ)
* 9/30 - San Francisco, CA / Warfield Theatre
* 10/1 - San Luis Obispo, CA / SLO Veterans' Auditorium
* 10/3 - Denver, CO / Ogden Theatre
* 10/4 - Omaha, NE / Sokol Auditorium
* 10/5 - Milwaukee, WI / Pabst Theatre
* 10/7 - Chicago, IL / Riviera Theatre
* 10/8 - Royal Oak, MI / Royal Oak Music Theatre
* 10/9 - Columbus, OH / Newport Music Hall
* 10/11 - Philadelphia, PA / Electric Factory
* 10/14 - New York, NY / Terminal 5
* 10/15 - Boston, MA / House Of Blues
* 10/17 - Toronto, CAN / Kool Haus

MUST SEE TV: Journey "Frontiers And Beyond"


For all rock bands that aspire to become huger than huge, thereby creating the mystique of being guided by some sinister empire plotting every diabolical move, very few actually manage to pull it off. 

Back in the early-to-mid '80s, though, Journey was one such band. 

By 1983, not only were their albums and singles high atop the US charts, their likeness were emblazoned upon everything from t-shirts, hats and bumper stickers to video games.  At one point, they sold more concert tickets albums, and merchandise than any other band on the planet.  With the success being gradual, this enabled them to build a huge organization to grease the squeaky wheels and keep the money coming in.  It wasn't just an organization, though.  To band manager Herbie Herbert, it was a family full of devoted longtime employees, of which more than a few had been working with the band's manager, Herbie Herbert, from as far back as his days schlepping equipment for Santana. 

At one point, the band's organization was so large that it occupied a huge building in Northern California that is now a foreign embassy.  The band was making more money than they could count.  Escape had been a monster of an album that placed the band atop the rock & roll mountain.  They were kings of the hill, but not at all ready to rest on their laurels. 

With the release of their next album, Frontiers, the band and their management wanted to raise the stakes.  This album would be better than any previous Journey album.  Therefore, this tour would have to be bigger and better than any previous Journey tour.  To document the tour, the band formed a partnership with none other than NFL Films.  Best known for creating the gripping and superbly narrated (by John Facenda) NFL highlights features, NFL Films' veteran camera crew would follow Journey across the country, filming the tour from start to finish, culminating with a huge, sold out show in front of 80,000 fans at JFK Stadium in Philadelphia. 

The intent, of course, was to capture the bigger-then-life quality of Journey, but to also put faces with the music.  Fans recognized Steve Perry, of course, but the documentary would hopefully shed a little spotlight on low-key guys like Steve Smith and Ross Vallory.

For NFL Films, capturing the action taking place within a packed stadium was nothing new and, truth be told, I suspect that Journey proved no different than most championship teams.  They were a well-oiled machine firing on all cylinders, taking no prisoners, and leaving it all on the field, so to speak.

Whether you're a fan of the band or not, the resulting documentary, Journey: Frontiers And Beyond, is a riveting, highly-watchable look at one of rock's biggest bands.  This wasn't just five guys playing rock music; this was an army of eighteen-wheelers and busses loaded to the rafters with soldiers eager to do battle.  Each with their own responsibilities, none any more or less important than the rest and all playing a key part in putting on one of the hugest rock & roll shows of all time.

Sadly, this documentary has not seen a proper re-release in the digital age and is something very few seem to remember at all.  Thanks to YouTube, though, we at He's A Whore are proud to present "Frontiers And Beyond" in its entirety.  Do yourself a favor and check it out.  You'll thank me later.

 





Tuesday, July 27, 2010

What Were They Thinking? Eric Carmen "Tonight You're Mine"

As I was cruising the bins at the local record store, I happened upon this gem from Eric Carmen.  The cover seems to depict Mr. Carmen in the act of sodomizing, or, at the very least, dry humping what appears to be a Macy's department store mannequin.  Who does he think he is, Andrew McCarthy?

When I showed it to my buddy, Ted, he said, "No, man, she's probably just drunk, puking her guts out, and he's just helping her out."

Uh, if that were the case, he'd be holding her hair back.  That's what guys do when their lady has too many appletinis at Studio 54.  Nah, he's pumping he from behind.  Just look at the expression on his face.  That's not a face you make when you're helping someone keep from puking in their own hair.  If it is, Eric Carmen is the coolest, most bad-ass dude on the face of the earth, but I highly doubt it.

Additionally, that red sticker isn't helping Eric's cause any   First, you've got a shot of Eric Carmen trying to nonchalantly slide his sausage into Slot A, then you've got a sticker that says, in big letters, "It Hurts Too Much". 

I know it was "the 80's" and that a lot of guys better known in the 60's were trying to make names for themselves by trying to appear to be as "new wave as the next guy", but this particular attempt is just ridiculous.

I can't help wonder about the creative process that led to this album cover being created.

Did Eric Carmen wake up one night in a cold, cold sweat, a vision having come to him almost fully formed? Did he then stumble to the nearest desk in hopes of writing it down before it vanished completely before falling back into bed?  And did he then wake up the next morning, take a look at the hastily scribbled note on his night stand that read "me sodomizing Jerry Hall" and go "That's it!  That's the album cover!"?

Did he then call up the art department at Arista Records and describe this idea to the art guys?  Did they not hang up on him, thinking that it was either a crank call, or that this is always what happens when they answer the boss's phone when he's at lunch?

Nope, it appears that someone in the art department said, "Hey, yeah, that's an awesome idea.  Let's get right on it."  Next thing you know, there's Eric Carmen staring back at kids from the bins of every Musicland record store in every mall in America, essentially saying, "Yeah, this is how I do it, bitches."

To this day, if you ask Eric about this album, I bet the first words out of his mouth are, "Man, I can't believe this record didn't go platinum."  Yeah, wow, what a shock.

Monday, July 26, 2010

Movie Review: "Salt"


 Every time a new Angelina Jolie movie comes out, I can't help wonder how this moderately-talented actress went from being a semi-interesting co-star of films such as "Girl Interrupted" and "Tomb Raider" to the universally-revered bombshell whose almost weekly appearances on any number of tabloid magazines seem to have elevated her to almost saint-like status.

Apparently stealing Brad Pitt away from then-wife Jennifer Aniston was one hell of a career move.

When she isn't adopting Cambodian orphans, Jolie does seem to have a special affinity for completely mindless big-budget action flicks; most notably "Mr. and Mrs. Smith", which pitted her against hubby Pitt and, in the process, took in over $478,000,000 dollars at the box-office.  That movie, for all of its over-the-top pyrotechnics and gun play, seemed to at least have some semblance of a sense of humor, which is something that just can't be said for anything else on Jolie's resume.

As a result, Jolie's latest turn in the fast-paced action thriller "Salt" comes off as completely uninspired and overly predictable.  Not to be sexist, but Evelyn Salt is to Jason Bourne as the WNBA is to the NBA.

Okay, sure, Jolie is a huge commodity.  She may sell a ton of magazines, but is she really enough of a draw to pick her overa slew of other worthy actresses?  Yes, Jolie is undoubtedly a sex symbol, but there is little of her supposed sexiness on display here.  No gratuitous shot of Jolie's ample bosoms, or fine-tuned biceps for that matter.  I'm not complaining, mind you, as I have never been one of those guys whose jaw drops at the sight of her, but I also know that if you book Jolie to star in your big-budget action flick, you book all of her.

Anyone who sees this film and doesn't see the end coming within the first five minutes, let me just let you in on a little secret: Liev Schreiber is a turncoat.  If you see him playing a supposed "good guy" who works for some governmental agency and then someone starts suspecting that there is a mole within their ranks...SCHREIBER IS THE FREAKING MOLE.

So, when it turns out that Schreiber is, indeed, the freaking mole, only someone who has lived under a rock for the past few years would be caught off-guard by that “shocking” plot twist.

And therein lies the rub.

How hard would it have been to cast someone else in that role other than Schrieber?  Give us someone we haven't seen as a spineless, thin-lipped back-stabber in a dozen other flicks so that we who pony up our $10 for a ticket might not see the end coming quite so soon.

Additionally, how hard would it have been to inhabit the character of Salt with the smallest bit of vulnerability?  By comparison, what drew us to Jason Bourne was the fact that he was left an amnesiac, left dazed, confused, and alienated in the middle of nowhere.  Sure, he was trapped in a world of his own making, but one that was now completely foreign to him.  Pushed into a corner, he is left with no other choice but to draw upon resources that he doesn't even know he has and therein lies the fun, the suspense, and the sense of discovery that is so invigorating to movie-goers.   

Jolie's character, by comparison, watches her husband be killed right in front of her and, as part of her cover, is unable to react as any wife would when seeing someone they love get gunned down.  While she soon makes quick work of his killer, even upon doing so, she never shows any real sense of loss.  For Jolie, it all seems like just another day's work.  There is no vulnerability, no moment of pause, no sense of discovering parts of herself that she didn’t know she had in order to overcome insurmountable odds.

Regardless of my qualms, "Salt" now appears to be a franchise for Jolie much like the Bourne flicks were for Matt Damon.  This writer sincerely hopes that the next installment doesn't seem like quite the phoned-in carbon copy of the Bourne saga.

Caddyshack Turns 30

Nothing makes you feel older than realizing a film you loved as a kid is turning 30 years old.  Crikey, where did the time go?

Upon its theatrical release on July 25, 1980, Caddyshack was a huge box-office hit, delivering exactly what it promised:  pandemonium, hijinx, and tons of laughs.  Not only are there sight gags aplenty, but the banter is so quick you literally have to watch this film repeatedly for, like thirty years, to catch all the great zingers.

The fact that Bill Murray's name was prominently displayed on promotional posters was enough to whet any teenage kid's appetite, but this movie also had Chevy Chase, who was no comedic slouch himself.  Toss in Rodney Dangerfield and Ted Knight for good measure and you've got a movie that's virtually packed to the gills with laughs.

Sure, this wasn't a film that was going to get many Oscar nominations, and the plot was rudimentary at best, but we came, we laughed, and, as adults, we still fondly recall the day when flicks like this made summers that much more enjoyable.

And, let's face it, this movie was quotable as hell long before it was cool to quote movies:

Carl Spangler (Bill Murray): "This is a hybrid. This is a cross, ah, of Bluegrass, Kentucky Bluegrass, Featherbed Bent, and Northern California Sensemilia. The amazing stuff about this is, that you can play 36 holes on it in the afternoon, take it home and just get stoned to the bejeezus-belt that night on this stuff."

Mrs. Smails (Ted Knight's craggy wife): "Elihu, will you come loofah my stretch marks?"

Al Czervik (Rodney Dangerfield) after dropping his anchor on Judge Smail's (Ted Knight) much smaller boat, sinking it instantly: "Hey, you scratched my anchor!"

Al: "You're a lot of woman, you know that? Yeah, wanna make 14 dollars the hard way?"

Ty Webb (Chevy Chase): "Don't be obsessed with your desires, Danny. The Zen philosopher Basha once wrote, 'A flute with no holes, is not a flute. A donut with no hole, is a Danish.' He was a funny guy."

CD Review: Panda Riot "Far And Near" EP

Buy Your Own Panda Riot Today!

It's confession time.  Okay, I'll go first.  I've always had a weakness for ethereal, female-fronted bands like Cocteau Twins, the Sundays, My Bloody Valentine and so on.  Call me crazy, but the sound of breathy, femme vox juxtaposed against a wall of shimmering, distorted guitars is absolute musical heaven.  Sadly, it seems as if such bands disappeared off the face of the radio dial the minute the 80's drew to a close, never to return.

Sure, there were occasional glimmers of hope in the 90's with the occasional gem from Belly, Juliana Hatfield, or the Breeders, but never enough to fully rekindle the flame.

Chicago's Panda Riot seem to have read my mind and, in doing so, have created a spectacular EP called Far And Near that blows the dust off of a genre I feared long-dead.  This isn’t merely some band being revivalist for the sake of being revivalist, though.  In Panda Riot’s hands, “shoegaze” has never sounded so good. 

Opener "Julie In Time" is an elegiac anthem that is equal parts Cocteau Twins and My Bloody Valentine, with a hint of Throwing Muses added for good measure.

"Motown Glass" answers the question of what Swing Out Sister might have sounded like if they'd had a decent guitarist and a few more Pink Floyd records in their collection.

"Streetlights And You And Me" recalls Papas Fritas and the Primitives, creating an irresistibly playful cacophony of jangly guitars and head-swimming vocal harmonies.  Check the calendar...is it 1989?  No?  Are you sure?

"When You Said, When I Said" begins with a steady, heady foundation of swirling guitars and keys atop which the rapid-fire chorus refrain glides weightlessly, creating a buoyant yet blissfully dark and spacey neo-psychedelic haze.

The one complaint we have is that Panda Riot chose only to release an EP.  Count us among the growing number of Panda Riot fans anxiously awaiting a new full-length.  Until then, those of us who are just discovering this great Chicago band can check out their 2007 full-length She Dares All Things.

MP3 - Panda Riot - Julie In Time

NEW INFO: Brian from Panda Riot emailed to let you guys know that the band has a NEW tune called "Northern Automatic Music" on the Crash Avenue compilation Guerilla Vs. Bear.  You can download the entire compilation for FREE by clicking riiiiiiiiight HERE.

CD Review: Sweet Apple "Love & Desperation"

Buy Some Sweet Apple Today!

Just when you're about to lose faith in the state of rock & roll, a band comes along that, in the span of a few rock-solid jams, completely restores your faith that not all is lost in this era of "American Idol" overkill and faux-indie poseur-dom.  That band, quite surprisingly, is Sweet Apple, whose debut effort, Love & Desperation, is the sort of record that comes darn close to erasing the bad aftertaste left by a decade-and-change of crap bands who’ve managed to turn the musical landscape into something akin to that dark and empty aisle at the back of every Hot Topic store where they stick all the crap that they ordered too much of, thinking it would sell like hotcakes, but now cannot give away.

For those not yet in-the-know, Sweet Apple is actually a side project for Dinosaur Jr’s J Mascis and Cobra Verde members John Petkovic and Tim Parnin.  The band, oddly enough, takes its name from fourth member, bassist Dave Sweetapple.  If you're anything like me, you were intrigued by the album's cover art - an obvious, albeit playfully reverential nod to Roxy Music's classic 1974 album, Country Life.

What one finds within the grooves of this record is a pretense-free explosion of classic rock riffage and triumphant hooks that come at you from every direction.  For you old-timers, there is a Uriah-sized heap of tasty rock stomp & circumstance a la Led Zep and Exile-era Stones.  Younger whipper-snappers, of course, will take one listen to a righteous rocker like "Flying Up A Mountain" and hear enough sonic similarities to Queens of the Stoneage and White Stripes to come along for the ride.

Half the fun of listening to this platter is playing "Name That Influence" and, sure, there's no new ground being broken here, but Sweet Apple are masters at taking you down familiar paths and showing things you never noticed before.  Those who fear that rock & roll has merely become the blues of the modern age, falling back on well-worn licks and chord progressions, will drop such petty concerns at the curb within the first three tunes or we’ll actually eat our girlfriend’s cooking (much worse than being forced to eat a hat, believe you me).

While the album’s sole nod to "da blues", "It's Over Now", eerily recalls Jeff Healey (not something you’d ever imagine to be a good thing from a rocker’s POV), but damn if you won’t find yourself imagining how great this tune must sound when performed live – preferably in some dive bar in the bad part of town with more broken chairs than not, a beer selection consisting almost entirely of warm cans of Bud, but a damn fine PA system and a sound guy who knows how to use it.

Listen to this album long enough and those of a certain age will be taken right back to the late 80's, when bands like R.E.M., Soul Asylum and the Replacements still roamed the earth with original line-ups, souls, and credibility intact.  Those days are long gone and never coming back, but Love & Desperation is an album that remembers the same good times that you do and fits like that favorite pair of ripped blue jeans you wore for most of 'em.


MP3 - Sweet Apple - I've Got A Feeling

Friday, July 23, 2010

10 Things I Currently Dig

These are in absolutely no order, so please don't think that just because one is mentioned first, or last, that I like it any better than the rest of the list.  It's just a laundry list of cool stuff I am currently really jazzed about.

1. Tosh.0 (Comedy Central)
I initially balked at checking out this program, as I have never been that into those "America's Funniest Home Videos"-type shows.  I figured this was merely the internet version and, while that description is not far off, host Daniel Tosh is an absolute genius at making me laugh.  I dunno about the rest of you, but he touches my funny bone, which, oddly enough, is the only bone that I will let any man touch.  On the other hand, you ladies feel free to touch any bone you like.

2. Flip Ultra HD camcorder($199 list)
The best $159-179 you can spend if you dig uploading video to the internet, but think being able to do so requires dropping some serious cash.  The video quality of this little video gadget is AMAZING!  Sure, there are time that I was it had some additional features, but then I remind myself how much I paid for it and BLAMMO, problem solved.

3. Tiki torches
The other day, I ran into Wal-Mart (I know, I know) to buy some motor oil and saw these kitschy Tiki torches for under $3 each.  A big jug of citronella oil was another $4.  I grabbed two torches, a jug of oil, and, within minutes, I was kicking it in my otherwise pitch-black backyard, watching the tiki flames cast brilliant, dancing shadows against the trees while I enjoyed a tasty beverage and pondered whether or not it could get any better than this.  Best $10 I've spent in a long time.

4. Summer
Since we all know that it won't be long before we start seeing NFL exhibition games and Back-To-School specials (two unofficial signs that summer is rounding third and heading for home), I tend to really appreciate each and every beautiful day of summer once the percussive pop of nearby fireworks subsides.  Before we know it, we'll be feeling the chill of autumn, raking a yard full of dead leaves, and pricing snow tires so enjoy each and every wonderful moment this summer has yet to offer.

5. Cinnamon vanilla coffee creamer
When I was a kid, I could not see how my parents could drink the stuff.  Of course, I still can't drink it straight like they do, but if I add just the right amount of cinnamon vanilla coffee creamer (doesn't matter which brand), I am in heaven.  Hot or iced doesn't matter...nothing like a little coffee with my creamer.

6. Michael Connelly mysteries (the latest one is "Nine Dragons")
I bought my first Michael Connelly book ("Echo Park", for those keeping score at home) last summer at a library book sale and, within a few paragraphs, I became an eternal fan of both Connelly and the lovable but gruff detective Harry Bosch.  Bosch, of course, is one of Connelly's recurring characters and the protagonist in almost a dozen great Connelly mystery novels.  Additionally, having lived in L.A. for a decade, I am enthralled by Connelly detailed description of certain parts of Los Angeles.  He actually manages to make me homesick for the place all over again.

7. DC Villain TX slip-on shoes
Call me lazy, but, every once in awhile, I just wanna forget about having to tie my shoes and just kick it in a pair of nice, comfy slip-on shoes. Being a guy, finding just such a shoe is harder than you would think (and those checkerboard Vans are PLAYED OUT!). Thankfully, the fine folks at DC have given us the super-comfortable Villain TX. Sure, they look a little (okay, a LOT) like slippers, but so what? Hell, I've worn plaid slippers out in public (the soles were not up to the task, however) so these shoes are right up my alley! If you're all about comfort and kitschy style, these will be right up your alley too.

8. Nachos
Let's face it, if you have one of those corporate-type jobs, you probably get dragged to TGI Fridays or Chili's more than you like. Thankfully, while those places tend to such at everything else, they did manage to get their nachos right. I mean, it's pretty hard to fuck up nachos, right? Personally, the only way is to use the kind of cheese the hardens as soon as it cools off, leaving you with one solid chunk of chips and cheese that you have to tear apart like year-old beef jerky. On many a date when I've invited a lady to my crib, I've actually served up my own mean recipe for nachos. To a gal, the initial look on their faces was usually "Are you kidding me?", but once they dug in, they were complimenting me as if I'd spent the whole day whipping something up. See, nachos are versatile. You can use any doggone combination of meat and veggies you want, toss it on a bountiful bed of tortilla chips, top it with some supremely saucy cheese, and be in foodie heaven in no time at all.

9. Newcastle Brown Ale
In these dog days of summer, I tell ya, nothing quite hits the spot the way an icy cold, dark, full-bodied beer does. Sure, those Corona commercials that show a dude and lady on the beach, Coronas within reach, are nice and all, but I prefer a dimly-lit room with some air-conditioning and a thicker, fuller tasting beer. Thankfully, the club just down the road from my house serves up a mean Newcastle draft and the jukebox has more than enough Petty and Elvis Costello. Bonus points to any beer with its own Pandora internet radio station. Click HERE to listen.

10. The readers of He's A Whore.
That's right. I dig each and every one of you and just wanna thank you for stopping by on a semi-regular basis, dropping the occasional comment or email, and especially to those who've dug one of my He's A Whore t-shirts enough to buy one or more. Thank you!

Thursday, July 22, 2010

Revisiting Queen and David Bowie's "Under Pressure"


Believe it or not, there was a time in the early 80's when both Queen and David Bowie were experiencing a bit of a decline in popularity in the US.  The 70's, of course, had been a very fruitful time for Queen, who scored huge Stateside hits with "We Are The Champions" and "We Will Rock You" in 1978.  Bowie, of course, seemed to have spent the 70’s reinventing himself at-will, achieving both great critical and commercial success along the way.  His last album, Scary Monsters, had joined a growing list of now-classic Bowie albums, but, to many, it was nowhere near as unconventional or groundbreaking as past efforts.  By Bowie standards, even songs like “Ashes To Ashes” seemed oddly predictable, as if Bowie was now retracing his own steps.

Queen’s dizzying chart heights began with 1976’s A Night At The Opera and included 1980’s The Game.  Oddly, on Hot Space, a band that once bragged that no synthesizers had been used in the recording of their albums seemed to reverse course so suddenly as to leave even casual fans with a serious case of whiplash.  "Under Pressure", released in advance of the album, had been a huge multi-format radio hit, but managed only a modest peak chart position of #29.  In hindsight, that seems impossible based on just well-known and popular the song remains to this day. 

While John Deacon created the song’s trademark bass lick, it seems that the song (tentatively going by the title of “Feel Like”) had been written in advance of David Bowie’s arrival by Freddie Mercury and demo’ed by the band. 

(Click here to listen to the demo for “Feel Like”)

All four members of Queen and Bowie took part in a collective jam session that saw the song undergo a major overhaul. Re-christened “Under Pressure”,it was only fitting that all five participants would share the writing credit. 

Driven by yet another soul-shaking John Deacon bass lick, the song soon explodes into a playful vocal tug of war between two of rock greatest characters in Bowie and Mercury.  Like many Queen songs, the track ebbs and flows unconventionally, but to great effect, unfolding with almost book-like complexity and charm.  Still, the lyrics tell a story quite unlike previous Queen songs.


Lyrically speaking, the song stands as a riveting departure for both Queen and Bowie, with touchingly heartfelt lines such as:

It's the terror of knowing
What this world is about
Watching some good friends
Screaming 'Let me out'
Pray tomorrow - gets me higher high high
Pressure on people - people on streets

Turned away from it all like a blind man
Sat on a fence but it don't work
Keep coming up with love
but it's so slashed and torn
Why - why - why ?
Love love love love love

Insanity laughs under pressure we're cracking
Can't we give ourselves one more chance
Why can't we give love that one more chance
Why can't we give love give love give love give love
give love give love give love give love give love

'Cause love's such an old fashioned word
And love dares you to care for
The people on the edge of the night
And love dares you to change our way of
Caring about ourselves
This is our last dance
This is ourselves
To this writer’s ears, "Under Pressure" still ranks as one of the single greatest pop song of the modern age, appealing to fans of all genres of pop music (the song even topped .  Even Vanilla Ice's sacrilegious sampling of the bass line for his one-off novelty rap hit "Ice Ice Baby" couldn't ruin it.

Billy Corgan Says The Album Is Destroyed (Damn You, Courtney!!)

Billy Corgan, whose recently-remodeled Smashing Pumpkins begin an intimate club tour that brings them to the Metro on July 27th (click HERE for tickets) for a benefit show (with proceeds going to the Matthew Leone Sweet Relief Fund) recently had this to say about the concept of the traditional ten-song album:

Q: So you think the 10-song album format is not relevant anymore?


I think it's been destroyed. I understand why people are still doing it because they don't know what else to do. But it's destroyed. I don't see how that means anything anymore. And I realize if you print that, some guy's going to go, "Well, I love Johnny and the Toads' "Forest" album.' No, I'm not trying to throw a blanket over everything. I'm just saying, generally, people are not that interested. Why we keep insisting collectively as the music world, keep shoving something down people's throats that they obviously don't want, I don't get that. We're not talking about like it's been a couple bad years. We're talking where it's been over 10 years now.

If you were talking about sandwiches or cookies, do you think they would last that long in that kind of thinking? It's a preciousness that isn't needed. Just figure out how to get people what they want when they want it. Maybe it's about putting out 40 songs a year, maybe it's not about producing everything perfectly. Maybe you produce the best song you can produce perfectly and the other five songs you just run in the studio and cut in a couple days. Maybe it is the DIY model at the end of the day. For the Christina Aguileras of the world who, it's about being perfect, well then, that's fine. But for the rest of us, I don't see how that works anymore.

Read the entire POST-GAZETTE interview.

In other Corgan-related news:

In addition to the bald one recently finding God, there is a rumor that he and Courtney Love not only patched things up after a rather heated Twitter spat last spring, but are now living together, reportedly sharing separate wings of a McMansion in Schaumburg. Okay, we're just guessing it's Schaumburg.

Last but not least: The band is releasing new material track-by-track on their official website.  There are five songs currently available for FREE download, "A Song For A Son", "Widow Wake My Mind", "A Stitch In Time", "Astral Planes", and "Freak".

Okay, this time we mean it, last but not least: A Billy Corgan track appears on the newly-released Official Bootleg Series, Volume 1 compilation from the world-famous Chicago venue, the Metro.  Click HERE to order the CD, which will donate all proceeds from sales to Rock For Kids.

Tuesday, July 20, 2010

My Thoughts On "Inception"

By now you've probably either already seen Inception or are planning to see it, so why read another movie review of a movie you already plan on seeing?

I mean, I might accidentally give away the fact that everyone the main character is talking to is actually dead. Oops, my bad, that was "The Sixth Sense".

I actually did not read a single review before seeing the flick, but I read quite a few afterward and all I can say is this: 9 out of 10 "reputable" film critics have ketchup for brains. I mean, if I see the word "masterpiece" used to describe this film one more time, I will be forced to send each of those reviewers a dictionary bookmarked to the very page upon which the word "masterpiece" appears.

Why, you ask?

Because, while the movie is mildly entertaining, mind-bending, and fun to look at, the only way it could possibly be a masterpiece is if they change the meaning of the word to something along these lines:

masterpiece –noun

1. Better than "The Dark Knight", which was a huge pile of shit, but nobody wanted to say so for fear of having their buddies ditch them. Next time, you drive to the theater, dork knob.

I have also seen a few reviews that compare it to "The Matrix", which is like comparing a Taylor Hawkins solo record to "Abbey Road", if you ask me. "The Matrix", while somewhat dated from a visual standpoint, was actually revolutionary for its time.  It wasn't just a rocket-ride of amazing visuals meant to hide a really lame story (I'm looking at you, James Cameron), but boasted an expansive cast of interestingly fleshed-out characters, AND the story itself was solid, well-thought out, and executed masterfully.  It instantly became the best thing the Wachowski Brothers had ever done, or would ever do...their masterpiece, if you will.

"Inception", by comparison, does not break any new ground to speak of from a visual or technological standpoint, offers a handful of characters that are only half-finished at best, and boasts a plot that will have you muttering "WTF?" as you leave the theater.

What appalled me was how sparsely the characters were fleshed out by a writer and director who is supposedly great at what he does. Admit it, aside from Leo's character being haunted by his wife, who is dead (and still a tad pissed at Leo, it would seem), what do we know about him, or anyone else for that matter? If you stop long enough to realize that the movie seems to be skating forward all too quickly, with none of the characters asking questions that any normal person would want to know before risking their life, the film comes dangerously close to becoming a comedy. Come to think of it, I did laugh more than I did during "The Hangover".

Additionally, when you realize the sole reason for going on this highly risky "voyage to the centre of the mind" was to get some spoiled rich kid to agree to the dismantling of his recently deceased father's mega-conglomerate by one of his main competitors, you'll feel a tad let down, just like I did.

At least in "The Matrix" they were fighting for, you know...their very survival and shit.

Monday, July 19, 2010

The Cars Reuniting?


(Surviving Cars members, right to left, Ric Ocasek, Greg Hawkes, David Robinson and Elliot Easton)

A buddy of mine forwarded me a link to The Cars' Facebook page that appears to be a new pic of the surviving members of The Cars in a rehearsal studio.

It also seems that there is now an official website for The Cars that, while a mere placeholder at this point, does seem to indicate the band is ramping up for some new activity.

Anything to wash the bad taste that "The NEW Cars" debacle left in the mouths of many Cars fans, myself included.

A Brand New ZAPPA 4 PREZ T-Shirt ON SALE TODAY!

We at He's A Whore were a bit taken aback (but in a very good way) by how fast we sold out of the original ZAPPA 4 PREZ t-shirt. As a few of you who ordered the shirt discovered, the manufacturer we chose to use for this shirt was unable to keep up with our inventory needs so, once we fulfilled all orders to date, we chose to change directions and work with a manufacturer that had enough stock on-hand to handle our orders.

We also wanted to keep the first shirt special, though, so we chose to change the color of the new shirt from the original camo/green to a fiery red that really catches the eye.

This is a must-have for any Zappa fan, or anyone who has ever witnessed this modern-day genius as he took on Washington in the late 80's, fighting to maintain freedom of speech for all Americans while also taking on a number of other issues. Those needing a refresher course on how "on top of it" this man was need only check out this compilation of interview segments:



BUY A ZAPPA 4 PREZ T-SHIRT TODAY

Thursday, July 15, 2010

Isolated Keith Moon Drum Tracks "Won't Get Fooled Again"



This was brought to my attention via Bobby Owsinski's Big Picture Blog, but I felt the need to pass it on, as it is something any past, present, or future drummer and/or music lover should hear.

It's just an absolute gas to hear Keith Moon's uniquely powerful approach in all its beauty...warts-and-all. If you're paying attention, you'll notice the performance is less than perfect, with Moon both pushing and playing behind the beat at times. You just know that your typical recording engineer would just correct most of the performance in Pro Tools and, in doing so, steamroll over a metric shit-ton of energy, groove and character in the process.

This track should stand as a shining, monumental kick-in-the-ass to all engineers and musicians everywhere: There is beauty to be found in imperfection, you shitheads! Stop Pro-Tooling everything to death!

Granted, if you're in the studio with a kid who merely thinks he's a drummer, but his playing skills prove otherwise, then, yes, get busy with your little computer cut-and-paste nonsense. But if you have a full-on Gonzo of a maniac like Moonie in your presence, just roll tape and GET OUT OF THE MOTHERFUCKING WAY.

You're Welcome: Joan Jett & The Blackhearts "Crimson & Clover"



I grew up in a small town in Michigan that was right next to the town where Tommy James & The Shondells got their start (Niles, Michigan).  Needless to say, Tommy James is still a pretty big deal in those parts.  Even today, chances are that if you go to a local night spots in the "Michiana" area to catch a cover band, they will perform at least one Tommy James song.

If you saw how many people will drop whatever (or whoever) they happen to be doing at the time and make a mad dash for the dance floor the minute they hear the intro to "Mony Mony" or "Hanky Panky", you'll know why most bands play at least one Tommy James tune.


When Joan Jett covered James' "Crimson & Clover" in 1982, taking it straight into the Top 10, she not only got my attention, she got the attention of everyone who has ever called themselves a fan of James' music.

What I dig about Jett's version of the tune is that she manages to do something that very few artists do when they tackle a classic tune and totally makes it her own.  She does so, however, by staying pretty true to the original.  That's no easy feat, mind you.  Of course, seeing as how her producer and manager Kenny Laguna is actually a former Shondell, you can understand how she came to present the tune with such respect, affection, and class.

From a personal standpoint, the video for this tune is, without a doubt, the hottest Joan Jett has ever looked.  As a teenage kid, when I saw the video for the first time, I had to excuse myself and make an unscheduled trip to the bathroom, if you catch my drift.  A few years later, I was fortunate enough to play a few shows with Joan and we got to know each other a little...friends of mine know the details to that story...but, to this day, that video just speaks to me in a very real way.

Now, if you don't mind, I need to find the nearest bathroom. 

Hey Asshole: Pets Are Forever!

In all walks of life, there are people who are assholes. In most cases, they appear perfectly normal, which makes taking precautionary measures to avoid them very difficult. Because of this, we often find ourselves in situations with someone we thought was normal, but is, in fact, actually an asshole. We often joke to our friends that assholes should wear a sign or something, but, if you were an asshole, would you wear a sign advertising this fact? Of course not. Assholes are never considerate of other people.

No, assholes are so blinded by their assholishness that they honestly forget that there is anyone else in the room, much less on the planet. They are oblivious to the inconvenience, utter rudeness, and harm their actions cause to those unlucky enough to be around them. Look, we all do dumb things from time to time, but assholes to stupid shit all the fucking time, to the point of making your jaw hit the floor as you watch them continue to conduct themselves in such a manner as to be completely incomprehensible.

We at He's A Whore wish we didn't have to, but sometimes it is necessary to call someone out for being an asshole, with that in mind, we bring you the first installment of a new feature we like to call, quite simply, Hey Asshole!

An e-mail message from my landlord arrived in my in-box one morning. As I view messages from them with relative importance, I opened it immediately and found that it was a message not just to the tenants of my building, but to those of every property owned by my landlord. It seems that someone who had vacated their apartment had left behind their cat. This, of course, was no mere accident, it was intentional. According to the landlord, the tenant had moved in with the cat three years ago, paid the pet deposit, but, when the time came to move out, decided to abandon the furry feline.

The first words out of my mouth were, "Who the fuck does that?" My landlord then told me that it happens more often than you think. I stood there incredulous, to which she responded, "Yep, they find a new place that doesn't allow pets and that's that."

At this point, my mind literally exploded. I mean, what kind of worthless douchebag even entertains the thought of moving into a place that doesn't allow pets if THEY HAVE A PET? Yeah, yeah, times are tough, blah blah blah. Hey, times have been tough for me, but, you know what? When I left my last apartment in Chicago after getting laid off and not knowing where I was going, or where my next dollar was coming from, the idea of kicking my two dogs to the curb never even occurred to me. Rufus and Tanner, as annoying and mildly destructive ("Hey, lemme read the entertainment section before you decide to shred it all over the living room floor") as they can be sometimes, I took a solemn oath to humankind to not be an asshole and to care for these crazy pups for the rest of their lives.

That's why when I read the article on CNN.com about the BP oil spill having an adverse affect not just on animals in the Gulf, but also pets in the region due to residents no longer being able to afford to care for them.

Yeah, yeah, we get it, your life has been momentarily upended. You've been forced into a situation you do not like, a fight-or-flee mentality has overtaken you, and suddenly the pets you once chose to care for are seen as a hindrance to your survival.

Allow me to be the first to say that you're a supreme asshole if you think little Fido or Nipsy is standing between you and survival. If you adopted them with the mindset that you could thoughtlessly chuck them aside the moment the going got rough, then I'd really like a moment alone with you in a dark alley, you shit-brained waste of skin.

Look, if you are not willing to care for an animal regardless of whatever unforeseen tests of one's character may reveal themselves on the road ahead, then you have absolutely no business having a dog or a cat, much less a pet rock, in the first place. I feel sorry for the person that ends up married to you, or the children that you will (or already have) thoughtlessly brought into this world.

Let me break it down for you. Either you choose to care for those around you, taking in those you can, and sticking to it NO MATTER WHAT, or you just avoid the whole damn thing. Pets are no different than humans in that they need to be fed, and loved, they feel pain, and being abandoned is incredibly scary and painful.

If circumstances are such that there is just no other way around parting with your pets, AT THE VERY LEAST, it is your responsibility to find them a new home. Don't just drop them off at the pound and pretend they won't be put to death in a few days because that would make you the kind of asshole that the word "asshole" doesn't even begin to describe. Find them a home. Better yet, find yourself a home and bring them with you. It's the right thing to do.

It's insane to even have to explain this to some people, like they were born without a heart and a brain, yet are able to function like the rest of us, yet its always us who ends up having to clean up their mess.

Wednesday, July 14, 2010

Lollapalooza Scandal Thickens

As someone who has lived off-and-on in Chicago since the mid-80's, I can tell you that corruption is such a part of daily life in The Windy City that you almost begin to take it for granted.  Hell, sometimes, you are almost taken aback when it isn't there, which is why we were soooo relieved to discover that corruption, along with its greedy little brother nepotism, had not overlooked the most eagerly anticipated musical event of the summer, Lollapalooza, which will take over Chicago's Grant Park from August 4-8.

Former Chicago Sun-Times rock critic Jim Derogatis broke the story in late June that the organizers of Lollapalooza, Austin, TX-based C3 Presents, had instigated an outrageous radius clause on ALL acts (from major headliners to baby bands at the bottom of the bill) that prevented them from appearing within 300 miles of Chicago for six months prior to and three months following the event.

As you can imagine, such a clause is incredibly restrictive for bands when you consider how many cities and venues fall within that range.  The effect doubles when you consider the state of the current economy and its impact upon the concert industry.  If you're a band trying to eek out a living on the road, good luck doing so when you can't play anywhere in Chicago, Detroit, Indianapolis, St. Louis, Champaign-Urbana, Madison, Milwaukee, Davenport for a period of nine months.  NINE MONTHS.

What's even more appalling is that C3 Presents also organizes the popular Austin City Limits Music Festival, which takes place in Austin, TX in October.  It should come as little surprise that several bands are appearing at both festivals and that a similar radius clause prevents them from appearing within 300 miles of Austin for a similar period of time.  Can you imagine the logistical night mare of booking a decent tour schedule when you can't play the midwest all summer or the southwest for the duration of the fall?

Needless to say, a lot of bands are pissed, but, being that Lollapalooza is quite a feather in one's cap, not so pissed as to tell C3 Presents to get bent.  Still, the clause has caught the attention of Derogatis, who has never been one to miss an opportunity to fan the flames of controversy, as well as Illinois Attorney General Lisa Madigan.

While Madigan's office has not yet confirmed that an investigation into C3's restrictive practices has been launches, Derogatis has been in contact with a number of agents connected with the music festival and many - such as former Artist Direct honcho Marc Geiger - confirm that they have been subpoenaed.

Geiger, of course, helped launch the festival with Jane's Addiction singer Perry Farrell in the early 90's.  He is now VP at Williama Morris, which just happens to be run these days by Ari Emanuel, brother of President Obama's chief-of-staff Rahm Emanuel.

No less than two weeks after he broke the initial story, Derogatis discovered that liquor sales for the festival have been, were brokered Mark Vanecko, a nephew of Chicago's esteemed mayor, Richard M. Daley.  In a July 7 post on his blog, Derogatis revealed that Vanecko has been instrumental in brokering the deal between the City of Chicago and Lollapalooza that ensures the festival will stay in Chicago through the year 2018.

He also saw to it that liquor sales for the festival were awarded to Lollapalooza Festival Services, a company co-owned by his friend, Kevin Killerman (awesome last name, by the way), who was charged with 45 counts of serving alcohol to minors in 1992, not to mention over 20 charges in the past three years (for which he has plead guilty).  That shouldn't get in the way of the man being awarded such a lucrative alcohol contract by longtime buddy, and Mayoral nephew, Vanecko, though, should it?

Did we mention that, while he had no official involvement with the festival during its first two years in Chicago, Vanecko is now the official registered agent for C3 Presents AND, as an attorney, lists Kevin Killerman as a client.

Why any of this matters to anyone is best summed up by Derogatis:

C3 has secured an exclusive, long-term contract for the city’s largest and most prestigious public park to hold a lucrative and expensive private concert complete with corporate underwriting under the aegis of a non-profit city group and in partnership with the city itself. All of this was done without competitive bidding and with no hint of the sometimes insurmountable hurdles placed in the way of other concert promoters, or of harsh anti-music initiatives such as the rave ordinance, the promoters ordinance, and the overly zealous post-E2 wave of code enforcement raids that have hassled smaller music venues in recent years.

Ah, "Sweet Home Chicago"...indeed.

Open Letter To Liz Phair

This past week, Liz Phair released a new album, Funstyle, and began selling it direct from her website.  The first single, Bollywood, was uniformly hailed as the most misguided first single of the new millennium and those who, based on that song, bought Liz's new album anyway got exactly what they expected ...and deserved.

A few days later, having obviously seen some of the less-than-positive feedback, Liz published the following note on her website:
How To Like It.
You were never supposed to hear these songs. These songs lost me my management, my record deal and a lot of nights of sleep.
Yes, I rapped one of them. Im as surprised as you are. But here is the thing you need to know about these songs and the ones coming next: These are all me. Love them, or hate them, but dont mistake them for anything other than an entirely personal, un-tethered-from-the-machine, free for all view of the world, refracted through my own crazy lens.
This is my journey. Ill keep sending you postcards.
-Liz

We at He's A Whore felt a response was in order.

Dear Liz,

While not especially large or spectacular, we have enjoyed your tits for many years.  They are the sort that many other women of similar stature have, but, unlike you, those women have not been so kind as to show them to us as you have.

The thing that we have come to realize in adulthood is that once a woman shows you her tits, she feels that you should be there for her when she wishes to show you other things, such as her thoughts, her dreams, or, in your case, her latest batch of new songs.

Having seen, and adored, your tits, we try as we might to be kind, for we do not wish you to withhold further showings of "the twins", if you will, but, at the same time, we do not want to run the risk of you starting to believe your own hype, so to speak.

After all, a great man once said, "Tell a gal she's beautiful one too many times and you run the risk of her thinking she's too beautiful for you."

Tell the same lady that her thoughts are best kept to herself, her dreams are delusional, and that her latest batch of tunes amount to little more than the sonic equivalent of a constipated dog straining so hard that their hind legs come off the ground is a sure-fire way to ensure you never get to see her perfectly perky fun bags again.

Also, dear Liz, before we forget...fuck your management, fuck your record label, and, for that matter, fuck the very idea of you doing anything in bed besides riding the baloney pony.  It is obvious that they were only there to exploit your talents based on some idiotic belief that they could turn you into Avril Lavigne's hot step-mom.

That you even halfheartedly went along with that says a lot about your desire to please others and, in doing so, attain the acceptance that you didn't get as a child.  I could hum you a few bars of that tune, sister.  If I'd gotten a few more hugs or "atta-boy"'s as a kid, I might not have felt the need to release four albums of my own music upon the world, spend most of my adulthood in smoky bars and dank, windowless record studios, and have fuck-all to show for it as I stumble into my forties.


If I'd had a set of love jugs like yours, of course, I'd have been fucking huge because I'd have flashed them to anyone with the letters "A&R" in their job title.  Hell, I'd have probably gone the Courtney Love route and just sworn off underwear altogether.  Worked just fine for her and she, to put it quite mildly, never had half the talent you do.  These days, she's gone back to her roots and has started flashing Ben & Jerry again, but, the thing is, those guys are tired.  REAL tired.

Yours on the other hand...

As for what we think of your new album, let us first say that the music industry is dead and that any manager or record label still in existence is doing little more than pushing porn at this point.  To be a willing participant in that nonsense these days is akin to having some fat, sweaty guy in the big office at Vivid Entertainment signing your paycheck.  Guys may jerk a load over them on occasion, but nobody truly respects a porn star.

When Traci Lords put out an album a few years back, I saw the future of pop music.  No, it wasn't Traci Lords, but it wasn't far off.  Now we've got Lady Gaga prancing around in a bikini and then wondering why nobody takes her seriously as the artist, Perez Hilton photoshopping the panties off of not-quite-legal Mouseketeers and wondering why he has to register every time he moves.  Songs have become secondary to the spectacle.  Talent just gets in the way of cheap, instantaneous gratification.

Gaga's smart enough to know that once she shows us the goods, she's a goner.  So she will taunt and tantalize the masses for as long as she possibly can until there's nothing left to do but the obvious.  Hell, you showed us the goods on the cover of your first album, yet here you are still at it, still relevant, still rockin'.  I guess that means that the mark of a true artist is someone who shows you a respectable set of dairy pillows and, every couple of years or so, you still wanna see them again just to bask in their glory and see how they're doing.

Let's face it, once Billy Ray's kid turns eighteen, she's gonna lose her fucking mind, her clothes, and whatever scant inhibitions she may have.  She'll be the talk of the town for a good ten minutes and then the world will move on to the next completely-untalented-chick-all-too-eager-to-show-you-her-less-than-spectacular-bee-stings.  NEXT!

But you, Liz, you'll still be our favorite; the one we keep coming back to even though the image of your naughty milk bombs are forever etched into our mammaries, er, sorry...memories.

What we're trying to say is this, babe:  If you stopping by every coupla years to show us how Thelma and Louise are hangin' means we have to listen to your new album, we're cool with that, but please...PLEASE...just don't ask us what we think of the music, okay?  It will only break the mood.
 
Now feel free to show us your Wop Bop A-Loo Bops again already!

Thursday, July 08, 2010

Darren On Adulthood: Whatever Happened To Recess?

Come on, you remember recess, right? That was the two or three times per day in elementary school when we all got to run around like lunatics, dangle from the monkey bars, play dodge ball, or rock the teeter-totter with that cute little guy or gal we had a crush on.

Times were simpler then, whatever cares we had in the world seem so minor compared to the ones we have now. Even then, you were amazed at how quickly a few minutes of catching some air on the swings could clear your head.

Then came junior high and, all of a sudden, there was no more recess.

Who came up with that bright idea? Who decided that we were suddenly too old to want (or need) to run around and interact leisurely with our fellow man, or that everything needed to be so regimented, to the point that we couldn't even have our own kind of fun in gym glass? Nope, creepy gym teacher wanted us to climb up a stupid rope instead.

If you ask me, the first person who came up with the idea to do away with recess at the junior high level was a humorless, party-pooper of kid and, as a result, had absolutely no friends with which to play during recess. Of course they'd go on to be a school administrator. They always do, it seems.

But enough about those dipwads.

I say that it is time to not only put playgrounds on every junior high, high school, and college campus, but to put them in the work place as well. If recess was good enough for us when we're 8, gosh darn it, it's good enough for us when we're 38, or 48 for that matter.

The kids who were never any fun to be around always seem to grow up to be shitty, humorless teachers and administrators who relish raining on the parades of one generation of children after another, as if that somehow makes up for them not being able to cut it on the playground as kids themselves.

They're the same adults who decide that the local Little League should be the kind where they hit baseballs off of tees, nobody keeps score, and everybody gets to play because, as kids, they were the shitty players who couldn't catch a cold, much less a baseball.

Hey, I was a crappy Little League player, don't get me wrong, but at least I learned a little something about competition, being part of a team, and doing whatever you had to do to win (which, in my case, meant letting Steve Armstrong's 50 mph fast ball ding me on the shin with two outs and bases loaded). Whereas I was eventually able to convince my dad that baseball just wasn't my thing and move on with my life, it seems a lot of the other kids who rode the bench made a solemn oath to themselves to one day make Little League safe for lame-o's.

Let's face it, recess has more to do with life and how you live it than five years of algebra, or just about any other class, for that matter. As adults who spend eight hours sitting our asses at work, and another one or two hours in traffic each day, we could use a little recess each day. No, I don't mean sacrificing your lunch hour to go for a power-walk or jug, either. When we were kids, we ate lunch, then we had recess. We should have the same thing now as adults.

Instead, we've let the companies we work for talk us into pay cuts and longer hours. Even though they're required-by-law to allow employees two fifteen-minute breaks per eight-hour shift, I've worked for more than one company that did so quite begrudgingly and looked upon such breaks with the same amount of disdain they did company theft.

What companies fail to realize is that a happy employee is a productive employee and, well, a playground would be nice. I will tell you that however bad my grades were in elementary school, they'd have been a lot worse if I didn't have recess to look forward to all the time.

At recess, we didn't just run around and get sweaty. We learned to interact with others, improved our physical and coordination skills, and were given a much-needed respite from the confines of the classroom. These days, we could all use a break from the cubicle jungle that isn't spent in the break room, or surfing the internet at our desk.

We deserve...yes, deserve to have two or three recesses per day. We deserve the opportunity to shoot some hoops, play some four-square, or swing on the swings with our buddies before returning to the grind.

I personally think that doing so would help resolve a lot of the problems we have these days. As it stands, we adults have lost complete touch with our inner child, and, in doing so, have forgotten how to have fun. Hell, some of us have convinced ourselves that we don't need to have fun and that being an adult means you stop having fun. I think we all know a few of those types.

Of course, they're easy to recognize. They're the ones shaking their heads as they read this, who, at their very heart, find the idea of recess at any age ludicrous.  If only they'd been able to hang with me as a kid...if they had, they'd know the joy of recess and look upon that time as the most productive part of the day. :)

Wednesday, July 07, 2010

You're Welcome: Billy Squier "In The Dark"



Long before the "video that killed his career", Billy Squier stood virtually alone atop the rock & roll world, absolutely owning AOR and Top 40 radio with an impressive string of hits that included "The Stroke", "My Kind Of Lover" and "In The Dark" - all from his mega-platinum second solo album, Don't Say No.

Where "The Stroke" was a suggestive rocker that came dangerously close to being almost too kitchy for its own good and "My Kinda Lover" percolated with a sly funkiness that would not have been at all out-of-place on an early 80's Queen album, "In The Dark" was a seriously groovy chunk of radio-ready rock that any artist would have been proud to call their own. 

Drummer Bobby Chouinard unleashes an understated, but furious nod to Led Zep's Bonzo, building a groove atop which Billy's playful guitar riffage effortlessly glides, giving way to a tasty synth lick in the chorus that injects just enough ear candy into the mix to be palatable to both the Rock and Top 40 crowds.

With three failed major label releases to his credit (two as a member of the band Piper and his debut solo effort, Tale of The Tape), Squier was no doubt fighting for his musical life when he entered the studio to record Don't Say No. 

Whereas a lesser hit-hungry artist faced with a "make or break" ultimatum from the label suits might come across as so hell-bent on hitting a home run that their attempt at winning you over ends up sounding more like a hard-sell sales pitch, Squier's "In The Dark" is a song so sure in its destination that it doesn't feel any need to hit you over the head.  Instead, it takes its own sweet time pulling you in with a low-key verse that is ultimately just as catchy and "sing-along" as the chorus.

And, oh, what a chorus it is.

While he would go on to score even bigger hits, "In The Dark" is Billy Squier at his least self-conscious; a song that's devil-may-care swagger and delectable nuances are distinctly his own.     

Tuesday, July 06, 2010

Open Letter To Barry Obama

Dear Barry,

I remember hearing you speak for the first time at the Democratic Convention in 2004.  I remember being quite impressed by your passion and determination to not only seek change, but to actually play a part in that change.  I knew beyond a shadow of a doubt at that very moment that I had heard the voice of the future of the Democratic Party and that it would not be long before you would soon become President of these United States.

Truth be told, I did not vote for you (nor did I vote for McCain - to me, not voting is just as valid a statement as voting for the lesser of two evils) because it soon became evident to me that you were not a man of change.  I soon came to realize that you were just as spineless and wishy-washy as McCain, but that your lack of political experience served only to hide this fact, whereas McCain had enough of a track record to summarily bury him long before the Palin debacle.

Since taking office, you have done nothing but confirm my suspicions.  It is one thing to inherit another President's problems, but another to allow them to completely define your presidency.  You have done just that and, as a result, your presidency has no momentum or direction of its own.

While others may applaud your victorious health care reform, the truth of the matter is that it is a sad, pitiful display of political compromise that will ultimately lead to a more convoluted health care/insurance process than that which already exists.  The time it takes to ultimately implement the new system is more than enough time for current insurance companies to find more than enough loopholes with which to continue practices that were the basis for the implementation of the health care reform in the first place.

Most insultingly, your willingness to continue wars that you did not start has led directly to the deaths of thousands of American soldiers.  You, Mr. Obama, are President of the United States and, therefore, have the power to pull troops out of any region, but, instead, you have forged onward, simply signing off on plans brought to you by supposed military experts and leaders. 

Call me crazy, but I would never expect a military leader to come to me with a plan for extraction.  A soldier on the front lines might tell you, yes, we need to get out of Iraq or Afghanistan, but a high-ranking career soldier like a McChrystal or a Petraeus is always going to urge for further maneuvers and only begrudgingly suggest an exit strategy.  That you have so willingly buckled to their agendas rather than ordering these subordinates to carry out your strategy is a clear-cut sign of weakness on your part.  Where's your spine, Mr. President?

We have nothing to gain from these wars, Mr. President.  Sure, companies with close ties to the last administration certainly have much to gain, but why is this so important to you?  Instead of coming in and shaking things up, undoing the many wrongs perpetrated by the previous administration, you have been only too happy to see that they keep right on chugging along.

When the BP debacle took place, I remember a news reporter saying only days after the incident that this was your Katrina.  I also remember thinking that, even though I have not been happy with your handling of certain aspects of your presidency, that there was no way that you could fuck up this incident worse than Bush fucked up during Katrina.  Sadly, I was wrong.  Very wrong.  It has been over two months since oil started gushing into the Gulf of Mexico and more oil per day is pouring into our seas now than it was then.  Your inability to take control of the situation speaks to your weakness in a way that your past actions only hinted at.

As if your inactivity wasn't bad enough, you steadfastly declined assistance from dozens of other countries and corporations until the disaster had burst forth so far beyond the breaking point as to be laughable.  Then, of course, you changed your mind and are now open to outside assistance, but only after two months of unspeakable damage has been done.

That, Mr. President, is criminal negligence.  By standing there and doing nothing while a corporation not only commits a crime of their own negligence (helped along by our own government's willingness to look the other way in the first place), you have become an accessory.  Even as I write this, more oil is gushing into the ocean, more animals are dying, and more American ways of life are severely hampered for an indefinite period.

Why, Mr. President, did you feel the need to run for office in the first place?  Was it so that you could play a key role in the paralysis and further weakening of a once-great country in drastic decline or was it because you honestly though you could bring about positive change?

If it was the former, all I can say is "Mission accomplished" and "Job well done, Sir."  If, however, it was the latter that drove you to become President of the United States, then you need to grow a pair, buddy, and start kicking ass.  Until then, you are an embarrassment for all who voted for you and who bestowed upon you their faith in the very same American Dream that brought you to prominence.

Those who believed in you did so because they believed you to be someone who recognized the same problems that they did, saw the same wrongs that they saw being committed left and right, and was driven to do something about them.  To tell these people now that change is not so easy is to betray them and to go back on every promise you ever made during the campaign.  What you have to do, Mr. President, is make things right, even if it means putting an end to "business-as-usual" and disappointing a crony or two.  Your responsibility is to the American people, not the corporations or the political system that has created so much of the problem in the first place.

I fully expect you to do nothing, Barry.  I also fully expect your tenure in office to be brief and comprised entirely of inherited debacles, with history coming to regard your single term as one of the more embarrassing presidencies in American history.  When President Palin takes office in 2012, it will be because you did nothing and, at the same time, did everything to make such a thing possible, just as Bush's inability to string five words together made it possible for you to gain entry to the office of President.

Prove me wrong, Barry.  Prove me wrong.

Sincerely,
Darren